Another in the long series of "Pete Smith" shorts from M-G-M in which William Newell meets and falls in love with Sally Payne, and begins to budget for their plans to get married. His budget, alas, does not include nor anticipate the plans of Sally and her parents. This short was reissued in June of 1950 to be shown as a trailer with 1950's "Father of the Bride" and some sources think this short was made for that express purpose and date it as a 1950 film.

The best man at an upcoming wedding goes to a jeweler to pick up the wedding ring and is also given a bracelet, on approval, worth $25,000. On his way home, a pigeon swoops down and snags the bracelet. The man must track down the pigeon and get the bracelet back so he won't have to pay for it--but that's easier said than done.

In Madrid, a tenant agrees to ignore the existence of the other tenant living in his apartment, so that both inhabit the space as if it were an individual use.

Political heavy-weights populate this urgent and humorous documentary on the detonative mix of art and politics as embodied in the work of infamous "guerilla" poster artist Robbie Conal.

Bill Belichick will one day join Bill Parcells in the Pro Football Hall of Fame. When the time comes, they'll have far more in common than a place in Canton-or a first name. The Two Bills, directed by Ken Rodgers and produced by NFL Films, traces the four-decade relationship between these two coaching masters. They first met when Belichick was a teenager and his father was coaching for Navy while Parcells was coaching at Army. On the same day in 1979, they became assistants with the New York Giants, and after Parcells took over as head coach, they won two Super Bowls together. Buttressed by what he learned from Parcells, Belichick would go on to win five Super Bowls of his own with the Patriots. Through all the ups and downs of their careers, including some memorable games when they were on opposite sides of the field, they forged a bond that few men of their stature have ever experienced. Two Bills, but one epic story.

Wedding rituals and a love triangle.

According to the eponymous vaudeville by A.P. Chekhov. Petty bourgeois Zhigalovs, whose daughter-in-law Dasha is being extradited, find out to their horror that the official Aplombov, who has been caring for Dasha all summer, has dined every day with them and has proved himself to be his bridegroom, is not going to marry at all.

Three former school friends, all grown up in Wedding, the blue collar district of West Berlin, have not seen each other for a decade. They meet in their old teenage hide-out, a storage depot close to the East Berlin Wall in the summer of 1989.

The story is as old as the world: Yaroslav's mother-in-law dislikes Lida's daughter-in-law and tries to convince her son that her predecessor was much better.

Belapur-based Ratan Ramprasad Malhotra lives an impoverished lifestyle along with his wife, Shanti; a sister, Gauri, and Bombay-based law student brother, Ramesh. He makes a lot of sacrifices, including mortgaging his property, in order to ensure the latter's education. Ramesh graduates with good grades, prompting Judge Motilal to get him married to his only child, Kala, on the condition that he move in with his family, which also includes his rather snobbish wife. The marriage takes place, Ramesh accordingly re-locates, while Gauri's wedding is arranged with Raja, the only son of parsimonious dowry-seeking widower Daulatram. Ratan and Ramesh agree to all dowry demands, and the marriage is arranged. On the day of the wedding, Ramesh does not show up, an enraged Daulatram not only humiliates Ratan but also cancels the wedding, and returns home with his son. With creditors lining up, Ratan is unable to handle the situation and becomes ill.